| Date: 1900 Designer:
Otto Eckmann Foundry:
Klingspor Location:
Offenbach Am Main, Germany Current equivalent:
Linotype Eckmann See also:
BT Freeform 701, Rudelsberg digitised by Dieter Steffmann Technologies:
Metal (foundry) Postscript Truetype | | Famous for:
Fusion of blackletter and art nouveau styles. Applications: Experimental and Expressive Ubiquity:
Average use Category:
Modernised Blackletter Stress: Angled
Serifs: Calligraphic | | Design history:
Showing a clear influence from the German variant of Art Nouveau, the decorative Jugendstil style, which Otto Eckmann helped popularize, firstly as a painter and subsequently as a commercial designer. His short career encompassed magazine and book design, teaching, as well as logo design, in which he joined his mentor Peter Behrens in working for AEG. Eckmann was originally available in two weights, from which only the bolder version has been digitised as a Postscript font. | |  |